While living
in the Tampa/St Petersburg area in the late 90’s, I became a big fan of the
surrealist painter Salvador Dali and the magnificent Dali museum that is
located in St. Petersburg. During that time I performed every Friday and
Saturday at the Vinoy Resort hotel which is an icon of downtown St. Pete, and I
would frequently point the guest to the museum. Hopefully some of them took me
up on the suggestion and got to see the brilliant works for themselves.
The funny
thing about art is that it is hardly ever about the painting itself but rather
about the artists relation to painting. At first glance most of Dali’s works
would not make sense to the average person. Images of dripping clocks and burning
giraffes or a cross suspended in mid air would leave onlookers either intrigued
or disinterested thinking that the artist must have had quite a good drug trip
while wielding his brush across the canvas. While I won’t rule out the latter,
his works are definitely more than meets the eye and his images are loaded with
meaning, both philosophically and politically.
The Hallucinogenic Toreador - 1968-70
Hundreds,
possibly thousands of works are on display at the museum, You could take a week
to take all of them in and really appreciate all of the subtle meanings and
nuances in his works.
One of my
favorite paintings in the museum is called “The Average Bureaucrat” It is not one
of the masterworks which are about 9 feet by 13 feet, The Average Bureaucrat is
only 36 x 40 inches in size, which is significantly smaller. Even though it
isn’t prominently displayed, it stood out to me.
The Average Bureaucrat - 1930
The painting
is a representation Dali’s father who was a prominent government employee in
his town. Dali had a very tumultuous relationship with his father. He would
cycle in out of favor with him throughout his lifetime. The image shows a bald
man with concave indentation on his head. The indentation is filled with
seashells. The image of the seashells represents the lack of knowledge or
understanding that he believed his father to exhibit. In the background of the
image are 2 small figures that represent the close relationship he had with his
father when he was a boy.
This glimpse
into the personal life of Dali was most fascinating to me. I appreciate all
that this image says of the pain that he felt in no longer relating to his
father anymore. They were real close when he was young and he always desired
that kinship again as an adult.
This
painting screams these personal questions: What happened to you the moment you
stopped looking at your parents as mom and dad and started seeing them as just
another person? What happened when you started reconciling the past and holding
them accountable with your understanding of “how things should have been” as an
adult? What happened to how you remember
them being when you were a child?
The image
will likely will have its own unique impact on you and the questions it invokes
might even be different, yet is serves as a brilliant example of how art can
mean as much to the observer as it does the creator.
I'm looking forward to my first visit based on your post. Your question about parents is a whole 'nother post!
ReplyDelete